作者：张华斌
出版社：中国摄影出版社
格式: AZW3, DOCX, EPUB, MOBI, PDF, TXT
像由心生试读：
The Sequence of One
Over the history of China’s photographic art，portrait photography enjoyed a unique position，being a major art form during its initial period and its most permanent art category as well.Upon the outbreak of the Opium War in 1840，the newly—born photography was introduced to China along with the war and trade and early developed in Hong Kong and Guangdong.Gradually，a photography industry with photo studios as its basic forms came into being.The major subjects then were figures like noblemen，officials and rich merchants and their families.That’s the beginning of China’s portrait photography.
Following the founding of New China，the general public has become subjects of portrait photography.However，during a long time limited by the lower national economic and consumptive level，it’s so serious，grand and luxurious to take photos in a studio that families chose the studio only at such key celebrations of wedding，reunion，children and seniors’ birthdays to record their important and unforgettable moments.With the development of national economy and improvement of people’s cultural demands after the start of China’s reforms and opening—up，cameras has got more popular and taking photos has become a part of people’s daily life.Meanwhile，photo studios are still fascinating upon their professional techniques and solemn rituals.According to statistics，the revenue of portrait photography industry amounted to RMB165 billion in 2012.Such change was a key representation of economic progress and a necessary result of social development as well.It can be said that although individuals and families are the subjects of portrait photography，they are collective portraits of a nation during a certain period and in a certain scope，showing the social development and changes of the age.In this sense，portrait photography is of great sociological significance.
Toumachon，a well—known French photographer in the 19th centu ry，once said that，“A photographic artist，notwithstanding the mechanic properties of his cameras，should focus on the figures’faces，capture their expressions，and characterize their psychological features so as to present their charms on the pictures.” That’s an exact representation of the soul of portrait photography and a supreme requirement on portrait photographers as well.
As a portrait photographer，Mr.Zhang Huabin has fulfilled this requirement.In the ancient time，people described works full of emotions as “penetrating through the paper”.By contrast，Zhang Huabin’s demonstration of figures can be called “ready to come out at one’s call”.In his works，he attaches much attention to express the response of mind of figures in the photos and observers，and strong oriental qualities.In addition，he is particular on use of light，brevity，and profoundness.His innovations has exerted proactive influences on the development of China’s portrait photography.He has won major photography awards both at home and abroad for many times，and become an outstanding photographic artist upon his relentless style.
The author is moved to write the passage while the readers are moved after reading the passage.I am sure that while appreciating the album，you must get some inspiration and pleasure.
序一
在我国摄影艺术的发展史中，人像摄影地位独特，既是其滥觞期的主要艺术形态，也是其持续时间最长的艺术类别。1840年，鸦片战争爆发，刚刚诞生的摄影术随着硝烟和贸易进入中国，最早从香港、广东等地发展起来，逐步形成了以照相馆为基本发展形式的照相业，它们以拍摄人物、家庭为主，对象是贵族、官员、富商，成为我国人像摄影的开端。
新中国成立后，普通民众成为人像摄影主体，但在很长一段时间里，限于国家经济消费水平较为低下，在照相馆拍照是一件庄严、隆重并奢侈的事，每个家庭只有在结婚、团圆、孩子周岁、老人过寿等重大时刻才会走进照相馆，记录家庭中重要、难忘的瞬间。改革开放后，随着国家经济的发展和人们文化生活需求的提高，相机已经极为普遍，照相成为人们日常生活中的一部分，同时，照相馆、影楼仍然以其专业的技术、郑重的仪式吸引着大家。据统计，人像摄影的行业营业额在2012年已达到1650亿元。这种变化，既是经济发展的重要表征，也是社会发展的必然结果。可见，人像摄影虽以个人、家庭为拍摄主体，但在一定时间和范围内，却是一个民族的群体肖像，表现着社会的发展，时代的变迁。从这个层面上说，人像摄影具有重要的社会学意义。
19世纪法国著名摄影家图尔纳松说，“一个摄影艺术家，不论其照相机的机械性能如何，都应该把焦点对准人物的脸部，抓住人物的神情，刻画人物的心理特征，使其神韵跃然于画面之上”。这既是对人像摄影精髓的精确表达，也是对人像摄影家提出的至高要求。
作为一个人像摄影家，张华斌先生做到了这一点。古人形容书法作品感情充沛时称其为“力透纸背”，而张华斌对人物的表现则可称之为“呼之欲出”。他的作品注重人物与观者的内心呼应，同时又有强烈的东方气质，讲究光影，崇尚简洁，厚重绵长，其作品创作形式对我国人像摄影的发展产生积极的影响，他还多次获得国内外摄影大奖，坚定的风格使其日臻成就为一个优秀的摄影艺术家。
缀文者情动而辞发，观文者披文以入情。相信大家在欣赏此作品集的同时，一定会有心灵上的感悟和愉悦。
The Sequence of Two
I have known Huabin for many years.He has made noticeable achievements in photography and great contribution for the development of China's portrait photography enterprise.He has impressed me with his devotion to the Society，sincerity，quick wit and steadfastness.A couple of days ago，he surprised me a lot that he was going to publish his album Portraits Shot from Mind and invite me write a preface，which seemed to me a heavy liability.
Flipping through the album carefully in front of my table，I find that all the colors are brilliant and pleasing to my eyes，the manipulation of light free yet exact，changes of darkness fine but not constrained，and amplification orderly and powerful.In addition，the simple and condensed images are filled with vivid flavor while particular configurations present the photographer's quality and taste.It's a technical issue to shoot portraits pretty but an art issue to shoot them with artistic conceptions.Via lens of Huabin，figures in the
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