Mask of Death(txt+pdf+epub+mobi电子书下载)

作者：Ernst, Paul

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Mask of Death试读：

Mask of Death

[Transcriber Note: This etext was produced from Weird Tales August-September 1936. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

1. The Dread Paralysis

A weird and uncanny tale about a strange criminal who called himself Doctor Satan, and the terrible doom with which he struck down his enemies

On one of the most beautiful bays of the Maine coast rested the town that fourteen months before had existed only on an architect's drawing-board.

Around the almost landlocked harbor were beautiful homes, bathing-beaches, parks. On the single Main Street were model stores. Small hotels and inns were scattered on the outskirts. Streets were laid, radiating from the big hotel in the center of town like spokes from a hub. There was a waterworks and a landing-field; a power house and a library.

It looked like a year-round town, but it wasn't. Blue Bay, it was called; and it was only a summer resort....

Only? It was the last word in summer resorts! The millionaires backing it had spent eighteen million dollars on it. They had placed it on a fine road to New York. They ran planes and busses to it. They were going to clean up five hundred per cent on their investment, in real estate deals and rentals.

On this, its formal opening night, the place was wide open. In every beautiful summer home all lights were on, whether the home in question was tenanted or not. The stores were open, whether or not customers were available. The inns and small hotels were gay with decorations.

But it was at the big hotel at the hub of the town that the gayeties attendant on such a stupendous opening night were at their most complete.

Every room and suite was occupied. The lobby was crowded. Formally dressed guests strolled the promenade, and tried fruitlessly to gain admission to the already overcrowded roof garden.

Here, with tables crowded to capacity and emergency waiters trying to give all the de luxe service required, the second act of the famous Blue Bay floor show was going on.

In the small dance floor at the center of the tables was a dancer. She was doing a slave dance, trying to free herself from chains. The spotlight was on; the full moon, pouring its silver down on the open roof, added its blue beams.

The dancer was excellent. The spectators were enthralled. One elderly man, partially bald, a little too stout, seemed particularly engrossed. He sat alone at a ringside table, and had been shown marked deference all during the evening. For he was Mathew Weems, owner of a large block of stock in the Blue Bay summer resort development, and a very wealthy man.

Weems was leaning forward over his table, staring at the dancer with sensual lips parted. And she, quite aware of his attention and his wealth, was outdoing herself.

A prosaic scene, one would have said. Opening night of a resort de luxe; wealthy widower concentrating on a dancer's whirling bare body; people applauding carelessly. But the scene was to become far indeed from prosaic—and the cause of its change was to be Weems.

Among the people standing at the roof-garden entrance and wishing they could crowd in, there was a stir. A woman walked among them.

She was tall, slender but delicately voluptuous, with a small, shapely head on a slender, exquisite throat. The pallor of her clear skin and the largeness of her intensely dark eyes made her face look like a flower on an ivory stalk. She was gowned in cream-yellow, with the curves of a perfect body revealed as her graceful walk molded her frock against her.

Many people looked at her, and then, questioningly, at one another. She had been registered at the hotel only since late afternoon, but already she was an object of speculation. The register gave her name as Madame Sin, and the knowing ones had hazarded the opinion that she, and her name, were publicity features to help along with the resort opening news.

Madame Sin entered the roof garden, with the assurance of one who has a table waiting, and walked along the edge of the small dance floor. She moved silently, obviously not to distract attention from the slave dance. But as she walked, eyes followed her instead of the dancer's beautiful moves.

She passed Weems' table. With the eagerness of a man who has formed a slight acquaintance and would like to make it grow, Weems rose from his table and bowed. The woman known as Madame Sin smiled a little. She spoke to him, with her exotic dark eyes seeming to mock. Her slender hands moved restlessly with the gold-link purse she carried. Then she went on, and Weems sat down again at his table, with his eyes resuming their contented scrutiny of the dancer's convolutions.

The dancer swayed toward him, struggling gracefully with her symbolic chains. Weems started to raise a glass of champagne abstractedly toward his lips. He stopped, with his hand half-way up, eyes riveted on the dancer. The spotlight caught the fluid in his upraised glass and flicked out little lights in answer.

The dancer whirled on. And Weems stayed as he was, staring at the spot where she had been, glass poised half-way between the table and his face, like a man suddenly frozen—or gripped by an abrupt thought.

The slave-girl whirled on. But now as she turned, she looked more often in Weems' direction, and a small frown of bewilderment began to gather on her forehead. For Weems was not moving; strangely, somehow disquietingly, he was staying just the same.

Several people caught the frequence of her glance, and turned their eyes in the same direction. There were amused smiles at the sight of the stout, wealthy man seated there with his eyes wide and unblinking, and his hand raised half-way between table and lips. But soon those who had followed the dancer's glances saw, too. Weems was holding that queer attitude too long.

The dancer finished her almost completed number and whirled to the dressing-room door. The lights went on. And now everyone near Weems was looking at him, while those farther away were standing in order to see the man.

He was still sitting as he had been, as if frozen or paralyzed, with staring eyes glued to the spot where the dancer had been, and with hand half raised holding the glass.

A friend got up quickly and hastened to the man's table.

"Weems," he said sharply, resting his hand on the man's shoulder.

Weems made no sign that he had heard, or had felt the touch. On and on he sat there, staring at nothing, hand half raised to drink.

"Weems!" Sharp and frightened the friend's voice sounded. And all on the roof garden heard it. For all were now silent, staring with gradually more terrified eyes at Weems.

The friend passed his hand slowly, haltingly before Weems' staring eyes. And those eyes did not blink.

"Weems—for God's sake—what's the matter with you?"

The friend was trembling now, with growing horror on his face as he sensed something here beyond his power to comprehend. Hardly knowing what he was doing, following only an instinct of fear at the unnatural attitude, he put his hand on Weems' half-raised arm and lowered it to the table. The arm went down like a mechanical thing. The champagne glass touched the table.

A woman at the next table screamed and got to her feet with a rasp of her chair that sounded like a thin shriek of fear. For Weems' arm, when it was released, went slowly up again to the same position it had assumed when the man suddenly ceased becoming an animate being, and became a thing like a statue clad in dinner clothes with a glass in its hand.

"Weems!" yelled the friend.

And then the orchestra began to play, loudly, with metallic cheerfulness, as the head waiter sensed bizarre tragedy and moved to conceal it as such matters are always concealed at such occasions.

Weems sat on, eyes wide, hand half raised to lips. He continued to hold that posture when four men carried him to the elevators and down to the hotel doctor's suite. He was still holding it when they sat him down in an easy chair, bent forward a bit as though a table were still before him, eyes staring, hand half raised to drink. The champagne glass was empty now, with its contents spotting his clothes and the roof garden carpets, spilled when the four had borne him from the table. But it was still clenched in his rigid hand, and no effort to get it from his oddly set fingers was successful....

The festivities of the much-heralded opening night went on all over the new-born town of Blue Bay. On the roof garden were several hundred people who were still neglecting talk, drinking and dancing while their startled minds reviewed the strange thing they had seen; but aside from their number, the celebrants were having a careless good time, with no thought of danger in their minds.

However, there was no sign of gayety in the tower office suite atop the mammoth Blue Bay Hotel and just two floors beneath the garden. The three officers of the Blue Bay Company sat in here, and in their faces was frenzy.

"What in the world are we going to do?" bleated Chichester, thin, nervous, dry-skinned, secretary and treasurer of the company. "Weems is the biggest stockholder. He is nationally famous. His attack of illness here on the very night of opening will give us publicity so unfavorable that it might put Blue Bay in the red for months. You know how a disaster can sometimes kill a place."

"Most unfortunate," sighed heavy-set, paunchy Martin Gest, gnawing his lip. Gest was president of the company.

"Unfortunate, hell!" snapped Kroner, vice president. Kroner was a self-made man, slightly overcolored, rather loud, with dinner clothes cut a little too modishly. "It's curtains if anything more should happen."

"Hasn't the doctor found out yet what's the matter with Weems?" quavered Chichester.

Kroner swore. "You heard the last report, same as the rest of us. Doctor Grays has never seen anything like it. Weems seems to be paralyzed; yet there are none of the symptoms of paralysis save lack of movement. There is no perceptible heart-beat—yet he certainly isn't dead; the complete absence of rigor mortis and the fact that there is a trace of blood circulation prove that. He simply stays in that same position. When you move arm or hand, it moves slowly back to the same position again on being released. He has no reflex response, doesn't apparently hear or feel or see."

"Like catalepsy," sighed Gest.

Kroner nodded and moistened his feverish lips.

"Just like catalepsy. Only it isn't. Grays swears to that. But what it is, he can't say."

Chichester fumbled in his pocket.

"You two laughed at me this evening when I got worried about getting that note. You talked me down again a few minutes ago. But I'm telling you once more, I believe there's a connection. I believe whoever wrote the note really has made Weems like he is—not that the note was penned by a crank and that Weems' illness is coincidence."

"Nonsense!" said Gest. "The note was either written by a madman, or by some crook who adopted a crazy, melodramatic name."

"But he predicted what happened to Weems," faltered Chichester. "And he says there will be more—much more—enough to ruin Blue Bay for ever if we don't meet his demands——"

"Nuts!" said Kroner bluntly. "Weems just got sick, that's all. Something so rare that most doctors can't spot it, but normal just the same. We can keep it quiet, and have him treated secretly by Grays. That'll stop publicity."

He rapped with heavy, red knuckles on the note which Chichester had laid on the conference table. "This is a fraud, a thin-air idea of some small shot to get money out of us."

He turned to the telephone to call Doctor Grays' suite again for a later report on Weems' condition. The other two bent near to listen.

A breath of air came in the open window. It stirred the note on the table, partially unfolded it.

"... disaster and horror shall be the chief, though uninvited, guests at your opening unless you comply with my request. Mathew Weems shall be only the first if you do not signify by one a. m. whether or not you will meet my demand...."

The note closed as the breeze died, flipped open again so that the signature showed, flipped shut once more.

The signature was: Doctor Satan!

2. The Living Dead

At two in the morning, two hours and a half after the odd seizure of Mathew Weems, and while Gest and Kroner and Chichester were in Doctor Grays' suite anxiously looking at the stricken man, eight people were in the sleek, small roulette room of the Blue Bay Hotel on the fourteenth floor.

The eight, four men and four women, were absorbed by the wheel. Their bets were scattered over the numbered board, and some of the bets were high.

The croupier, with all bets placed, spun the little ivory ball into the already spinning wheel, and all watched. At the door, a woman stood. She was tall, slender but voluptuously proportioned, with a face like a pale flower on her long, graceful throat. Madame Sin.

She came into the room with a little smile on her red, red lips. In her tapering fingers was held a gold-link purse. She did not open this to buy chips, simply walked to the table. There, with a smile, two men moved over a little to make a place for her.

"Thank you so much," she acknowledged the move. Her voice was as exotically attractive as the rest of her; low, clear, a little throaty. "I am merely going to watch a little while, however. I do not intend to play."

The wheel stopped. The ball came to rest in the slot marked nineteen. But the attention of those at the table was divided between it and the woman who was outrageous enough, or had sense of humor enough, to call herself Madame Sin. In the men's eyes was admiration. In the women's eyes was the wariness that always appears when another woman comes along whose attractions are genuinely dangerous to male peace of mind.

"Make your plays," warned the croupier dispassionately, holding the ball between pallid thumb and forefinger while he prepared to spin the wheel again.

The four couples placed bets. Madame Sin watched out of dark, exotic eyes. She turned slowly, with her gold-link purse casually held in her left hand; turned so that she made a complete, leisurely circle, as though searching for someone. Then, with her red lips still shaped in a smile, she faced the table again.

The croupier spun the wheel, snapped the ball into it. The eight players leaned to watch it....

And in that position they remained. There was no movement of any sort from any one of them. It was as though they had been frozen to blocks of ice by a sudden blast of the cold of outer space; or as though a motion picture had been stopped on its reel so that abruptly it became a still-life, with all the actors in mid-move and with half-formed expressions on their faces.

A tall blond girl was bent far over the table, with her left hand hovering over her bet, on number twenty-nine. Beside her a man had a cigarette in his lips and a lighter in his left hand which he had been about to flick. Two other men were half facing each other with the lips of one parted for a remark he had begun to make. The rest of the eight were gazing at the wheel with arms hanging beside them.

And exactly in these positions they remained, for minute after minute.

During that time Madame Sin looked at them; and her smile now was a thing to chill the blood. You couldn't have told why. Her face was as serene-looking as ever, and there were no tangible lines of cruelty in evidence in her face. Yet she looked like a she-fiend as she stared around.

She walked to the croupier, who stood gazing at his wheel, with his mouth open in the beginning of a yawn.

Down the hall came the clang of elevator doors, and the sound of laughter and voices. Madame Sin glided toward the door. There she paused, then went purposefully back to the table. She went swiftly from one to another of the frozen, stark figures in their life-like but utterly rigid positions, then back to the door.

Smiling, she left the room, passing five or six people who were about to enter it for a little gambling. She was almost to the elevator shafts when she heard a woman's scream knife the air, followed by a man's hoarse shout that expressed almost as much horror as the scream had done.

Still smiling, utterly composed, she stepped into an elevator—and the elevator boy shivered a bit as he stared at her. He had not heard the scream, did not know that anything was wrong. He only knew that something in this lovely woman's smile sent cold fingers up and down his spine.

It was a grim, white-faced trio that sat in the conference room of the Blue Bay Hotel at eleven next morning.

Chichester nor Gest nor Kroner—none had had a moment's sleep all night. They had been in Doctor Grays' suite with Weems when a shivering man—a well-known young clubman, too, which was unfortunate—stumbled up to tell of the dreadful thing to be seen in the roulette room.

With horror mounting in their breasts, half knowing already what they would see, the three had gone there.

Nine more, counting the croupier, in a state like that which Weems was in! Nine more people with all life, all movement, arrested in mid-motion! Ten now with some kind of awful paralysis gripping them in which they did not move nor seemingly breathe—ten who were dead by every test known to science, but who, as even laymen could see at a glance, were yet indubitably alive!

"Blue Bay Development is ruined," ground out Kroner. It had been said a dozen times by every one of the three; but the words made the other two look at him in frantic denial just the same.

"If we can keep it quiet—just for a little while—just until——"

"Until what?" snapped Kroner. "If we only had an idea when this mysterious sickness would leave these people! We could stall the news perhaps for a day, or even two days—if we could have some assurance that at the end of twenty-four or forty-eight hours they'd be all right again. But we haven't. They may be like that for months before they die—may even die in a few hours. Grays can't tell. This is all beyond his medical experience. So it seems to me we might as well make public announcements now, face ruin on the resort development, and get it over with."

Chichester spoke, almost in a whisper.

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